Publications

Computational modeling of interval distributions in tonal space reveals paradigmatic stylistic changes in Western music history

F. C. Moss; R. Lieck; M. A. Rohrmeier 

Data-Driven Music Theory: Curating and Investigating Large Corpora of Digitally Encoded Music Analyses

Hearing structure in music: An empirical inquiry into listening as representation and processing

Interpreting Rhythm as Parsing: Syntactic-Processing Operations Predict the Migration of Visual Flashes as Perceived During Listening to Musical Rhythms

G. Cecchetti; C. A. Tomasini; S. A. Herff; M. A. Rohrmeier 

An Annotated Corpus of Tonal Piano Music from the Long 19th Century

J. Hentschel; Y. Rammos; F. C. Moss; M. Neuwirth; M. A. Rohrmeier 

The ‘Measure Map’: an inter-operable standard for aligning symbolic music

M. Gotham; J. Hentschel; L. Couturier; N. Dykeaylen; M. A. Rohrmeier et al. 

MuseReduce: A Generic Framework for Hierarchical Music Analysis

P. Ericson; Y. Rammos; M. Rohrmeier 

ms3: A parser for MuseScore files, serving as data factory for annotated music corpora

J. Hentschel; M. A. Rohrmeier 

The diachronic development of Debussy’s musical style: a corpus study with Discrete Fourier Transform

S. Laneve; L. Schaerf; G. Cecchetti; J. Hentschel; M. Rohrmeier 

Fishing for complements with chord, scale, and rhythm nets

R. A. Arranz; D. Harasim; T. Noll 

The Structure of Free Polyphony

Musical Garden Paths: Evidence for Syntactic Revision Beyond the Linguistic Domain

G. Cecchetti; S. A. Herff; M. A. Rohrmeier 

midiVERTO: A Web Application to Visualize Tonality in Real Time

D. Harasim; G. Affatato; F. C. Moss 

Hearing functional harmony in jazz: A perceptual study on music-theoretical accounts of extended tonality

G. Cecchetti; S. A. Herff; C. Finkensiep; D. Harasim; M. A. Rohrmeier 

Information Processing Biases: The Effects of Negative Emotional Symptoms on Sampling Pleasant and Unpleasant Information

S. A. Herff; I. Dorsheimer; B. Dahmen; J. B. Prince 

Phantom Curves: Scientific Discovery through Interactive Music Visualization

F. C. Moss; G. Affatato; D. Harasim 

A Myriad of Exceptions? Challenging the Sonata-Form Typology for the Classical Repertoire

M. Neuwirth 

Discovering Tonal Profiles with Latent Dirichlet Allocation

F. C. Moss; M. Rohrmeier 

Music Cognition: The Complexity of Musical Structure

D. Harasim; C. Finkensiep; L. Bigo; M. Giraud; F. Levé et al. 

Hierarchical syntactic structure predicts listeners’ sequence completion in music

S. A. Herff; D. Harasim; G. Cecchetti; C. Finkensiep; M. A. Rohrmeier 

Discretisation and continuity: The emergence of symbols in communication

R. Lieck; M. A. Rohrmeier 

Chord Embeddings of Harmonic Progressions Reveal Historical Trends

E. Anzuoni; S. Ayhan; F. Dutto; A. P. McLeod; F. C. Moss et al. 

Generating Musical Continuations with Repetition

S. Velez de Villa; A. P. McLeod; M. A. Rohrmeier 

The Annotated Mozart Sonatas: Score, Harmony, and Cadence

J. Hentschel; M. Neuwirth; M. Rohrmeier 

Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music

D. Harasim; F. C. Moss; M. Ramirez; M. Rohrmeier 

A Modular System for the Harmonic Analysis of Musical Scores using a Large Vocabulary

A. P. McLeod; M. A. Rohrmeier 

Discretisation and Continuity: Simulating the Emergence of Symbols in Communication Games

R. Lieck; L. Wall; M. A. Rohrmeier 

Modeling and Inferring Proto-Voice Structure in Free Polyphony

C. Finkensiep; M. A. Rohrmeier 

Robustness to interference in memory performance and syntactic representations of melodies

G. Cecchetti 

Hearing harmonic functionality in the idiom of extended tonality: Perceptual manifestation of octatonic substitutions

G. Cecchetti 

Musical syntactic revision in the perception of melodies

G. Cecchetti; S. A. Herff; M. A. Rohrmeier 

The experience of musical structure as computation : what can we learn?

G. Cecchetti; S. A. Herff; C. Finkensiep; M. A. Rohrmeier 

Musical syntactic structure improves memory for melody: evidence from the processing of ambiguous melodies

G. Cecchetti; S. A. Herff; M. A. Rohrmeier 

FAIR, Open, Linked: Introducing the Special Issue on Open Science in Musicology

F. C. Moss; M. Neuwirth 

A Formal Model of Extended Tonal Harmony

M. Rohrmeier; F. C. Moss 

A semi-automated workflow paradigm for the distributed creation and curation of expert annotations

J. Hentschel; F. C. Moss; M. Neuwirth; M. Rohrmeier 

Digitizing a 19th-Century Music Theory Debate for Computational Analysis

F. C. Moss; M. Köster; M. Femminis; C. Métrailler; F. Bavaud 

The influence of anodal transcranial direct current stimulation over the right auditory cortex on interference effects in memory for melodies

N. K. Schaal; S. Kloos; B. Pollok; S. A. Herff 

Music influences vividness and content of imagined journeys in a directed visual imagery task

S. A. Herff; G. Cecchetti; L. Taruffi; K. Deguernel 

The effect of low-frequency equalisation on preference and sensorimotor synchronisation in music

S. Beveridge; E. Cano; S. A. Herff 

Expertise-Related Differences in Wrist Muscle Co-contraction in Drummers (vol 11, 1360, 2020)

S. Beveridge; S. A. Herff; B. Buck; G. B. Madden; H-C. Jabusch 

Uniform parsing for hyperedge replacement grammars

H. Bjorklund; F. Drewes; P. Ericson; F. Starke 

Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis

F. C. Moss; W. F. Souza; M. Rohrmeier 

The Impact of Voice Leading and Harmony on Musical Expectancy

L. Wall; R. Lieck; M. Neuwirth; M. Rohrmeier 

Axiomatic scale theory

D. Harasim; S. E. Schmidt; M. Rohrmeier 

AutoScale: Automatic and Dynamic Scale Selection for Live Jazz Improvisation

T. Jaccard; R. Lieck; M. A. Rohrmeier 

Modelling Hierarchical Key Structure With Pitch Scapes

R. Lieck; M. A. Rohrmeier 

Voice-leading Schema Recognition using Rhythm and Pitch Features

C. Finkensiep; K. Déguernel; M. Neuwirth; M. Rohrmeier 

The Jazz Harmony Treebank

D. Harasim; C. Finkensiep; P. Ericson; T. J. O’Donnell; M. Rohrmeier 

Age-Dependent Statistical Learning Trajectories Reveal Differences in Information Weighting

S. A. Herff; S. Zhen; R. Yu; K. R. Agres 

The MIDI Degradation Toolkit: Symbolic Music Augmentation and Correction

A. McLeod; J. Owers; K. Yoshii 

ASAP: a Dataset of Aligned Scores and Performances for Piano Transcription

F. Foscarin; A. McLeod; P. Rigaux; F. Jacquemard; M. Sakai 

The Tonal Diffusion Model

R. Lieck; F. C. Moss; M. Rohrmeier 

The Learnability of the Grammar of Jazz: Bayesian Inference of Hierarchical Structures in Harmony

Prefrontal High Gamma in ECoG Tags Periodicity of Musical Rhythms in Perception and Imagination

S. A. Herff; C. Herff; A. J. Milne; G. D. Johnson; J. J. Shih et al. 

The perceptual relevance of balance, evenness, and entropy in musical rhythms

A. J. Milne; S. A. Herff 

Expertise-Related Differences in Wrist Muscle Co-contraction in Drummers

S. Beveridge; S. A. Herff; B. Buck; G. B. Madden; H-C. Jabusch 

Concordia: A musical XR instrument for playing the solar system

K. Snook; T. Barri; M. Bolles; P. Ericson; C. Fravel et al. 

Modelling the Syntax of North Indian Melodies with a Generalized Graph Grammar

C. Finkensiep; R. Widdess; M. A. Rohrmeier 

Pessimistic outcome expectancy does not explain ambiguity aversion in decision-making under uncertainty

C. Ahrends; F. Bravo; M. L. Kringelbach; P. Vuust; M. A. Rohrmeier 

The pleasantness of sensory dissonance is mediated by musical style and expertise (vol 9, 1070, 2019)

T. Popescu; M. P. Neuser; M. Neuwirth; F. Bravo; W. Mende et al. 

Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets

F. C. Moss; M. Neuwirth; D. Harasim; M. A. Rohrmeier 

Inferring Tonality from Note Distributions: Why Models Matter

F. C. Moss 

Analyzing Tonality with Note Distributions

F. C. Moss 

The pleasantness of sensory dissonance is mediated by musical style and expertise

T. Popescu; M. P. Neuser; M. Neuwirth; F. Bravo; W. Mende et al. 

A Model Comparison for Chord Prediction on the Annotated Beethoven Corpus

K. Landsnes; L. Mehrabyan; V. Wiklund; R. Lieck; F. C. Moss et al. 

Distant Neighbors and Interscalar Contiguities

D. Harasim; T. Noll; M. Rohrmeier 

Harmonic Syntax in Time: Rhythm Improves Grammatical Models of Harmony

D. Harasim; T. J. O’Donnell; M. A. Rohrmeier 

Transitions of Tonality: A Model-Based Corpus Study

The Annotated Beethoven Corpus (ABC): A Dataset of Harmonic Analyses of All Beethoven String Quartets

M. F. J. Neuwirth; D. Harasim; F. C. Moss; M. A. Rohrmeier 

Generalized Skipgrams for Pattern Discovery in Polyphonic Streams

C. Finkensiep; M. Neuwirth; M. Rohrmeier